Combustion via Art
Abraham Tamir*
Department of Chemical Engineering, Ben-Gurion University of the Negev, Israel
Submission: February 12, 2018; Published: August 31, 2018
*Corresponding author: Abraham Tamir, Department of Chemical Engineering, Ben-Gurion University of the Negev, Israel, Tel: 086472916; E mail:atamir4@012.net.il
How to cite this article: Abraham Tamir. Combustion via Art. Adv Biotech & Micro. 2018; 10(4): 555795. DOI: 10.19080/AIBM.2018.10.555795
Opinion
Combustion, burning or fire is the sequence of exothermic chemical reactions between fuel and an oxidant accompanied by the production of heat and conversion of the chemical species to new ones. Combustion supplies most of the energy required by human civilization where the visible result are fire and flames usually consisting of hot gases and light. The phenomenon of fire is mentioned already in the Bible in Genesis 15:17 as follows:” When the sun had set, and darkness had fallen, a smoking firepot with a blazing torch appeared and passes between the pieces.” Probably the earliest reasonably scientific attempt to explain combustion was that of Johannes Baptista van Helmont (1580-1644), a Flemish physician and alchemist. He observed the relationship among a burning material, smoke and flame and said that combustion involved the escape of a “wild spirit” from the burning material. In 1667 Johann Joachim Becher (1635-1682), a German alchemist and physician, proposed the phlogiston theory. According to it there exist a fire-like element called “phlogiston” that is contained within combustible bodies and are released during combustion.

The burner and its flame are shown at the bottom of (Figure1) where its flame is concentrated and rotating.
The stove based on it has the following characteristics:
a. Thermal efficiency is higher by 20-25% than regular burners.
b. Boiling of water is accelerated considerably.

c. Due to rotation of the flame, mixing with air is better, thus reducing air pollution. The Polish surrealist artist Jaceck Yerka (b.1952) painted (Figure2) entitled “Eruption” that demonstrates combustion inside a big hole of a mountain.


The Belgium surrealist artist Rene Magritte (1898-1967) painted (Figure 3) entitled “The Discovery of Fire” and (Figure 4) (right-hand-side) entitled “Portrait of Edward James”. In order to emphasize the effect of combustion in artwork the authors changed the color from yellow to red in (Figure 4 &5) (left-hand-side) is a surrealistic artwork, “The Fire”, painted by Giuseppe Arcimboldo (c.1530-1593), Mannerism Italian painter. (Figure 6) entitled “Whaaam” demonstrates combustion due to firing of the enemy by an aircraft. Roy Lichtenstein (1923-1997), an American pop artist, painted it. Rudolph Ackerman (1764- 1834) an Anglo-German bookseller, inventor and lithographer painted (Figure 7&8) entitled “Fire in London”. entitled “Funky Fire” demonstrates a surrealistic fire giving an impression of a terrible combustion. (Figure 9) demonstrates a surrealistic “Atomic Bomb Tree” artwork associated with fire. (Figure 10) is another surrealistic artwork of fire entitled “Sacred Fire of Pele, Goddess of Hawaii Volcano” that is located in the Hawaiian Art Gallery by Olga Schevchenko.





In (Figure 11&12) an interesting surrealistic folding fire is presented where our demonstrations are terminated by the impressive artwork of Magritte entitled “The Gradation of Fire”. In conclusion the authors believe that the artistic demonstrations of combustion give to this phenomenon a wider view and it becomes more attractive to the viewer.


